kebabette
kebabette:

The New  York Reef and the Chicago Reef (detail). In the background is Dr Axt’s  “Whiticus-Reeficus - Reefer Madness II”. Scottsdale Civic Center Library, Scottsdale, Arizona
From the amazing project The hyperbolic crochet coral reef:

The  Hyperbolic Crochet Coral Reef is a project by the Institute For  Figuring in Los  Angeles. The Crochet Reef resides at the intersection  of mathematics, marine  biology, handicraft and community art practice,  and also responds to the  environmental crisis of global warming and the  escalating problem of oceanic  plastic trash.

kebabette:

The New York Reef and the Chicago Reef (detail). In the background is Dr Axt’s “Whiticus-Reeficus - Reefer Madness II”. Scottsdale Civic Center Library, Scottsdale, Arizona

From the amazing project The hyperbolic crochet coral reef:

The Hyperbolic Crochet Coral Reef is a project by the Institute For Figuring in Los Angeles. The Crochet Reef resides at the intersection of mathematics, marine biology, handicraft and community art practice, and also responds to the environmental crisis of global warming and the escalating problem of oceanic plastic trash.

design-and-wander

thinkandthendo:

“Dutch designer Wendy Plomp and her cardboard carpet’s, which she calls  a “Message in a box“…the idea for using cardboard as carpets came to her while seeing people using cardboard as hitch-hiking signs or people breakdanicng on it. By printing a beautiful pattern on the inside of a used box you create your temporary space..Wendy says…’it can also have a glorious second life if left to the street where it can be spontaneously employed in new applications…”

wheresoulsdance

blackacrylic:

23.01.11

I had a really interesting discussion about identity, self hate, cultural capital etc with my BFF today and it got me thinking of Margaret Bowland’s selection of paintings of young black girls in white face. When asked to comment on ‘Portrait of Kenyetta and Brianna’ Bowland said that ‘It is a commentary on how women still have to jump through all these hoops to be desirable. These girls are still visible beneath all those layers of crap … they’re still looking back at you.’ I think that a lot of black girls looking at Bowland’s paintings would say that the metaphor transcends beyond the art world. For many black girls Bowland’s paintings are a life metaphor - reflecting a reality where black girls are often marginalised by European standards of beauty. I agree with Cherise Kramarae when she states that ‘For women of color who are viewers, trying to achieve idealised femininity entails not only adjusting or refining one’s body, but also rejecting one’s identity and certain characteristics altogether. To resist this artificial standard is to stand apart from beauty as defined by society’. The frustrating thing for me is that even if you put the fact that there is very little aesthetic diversity across all media platforms to the side, in the black community we impose European standards of beauty on each other with a vengeance. It’s black men that make fun of Alek Wek and it’s black girls arguing about natural hair v relaxer/weave (e.g ‘These little nappy headed hoes need a terminator’ - Nicki Minaj) etc. It’s this infighting that is the real tragedy.

Somebody told a lie and we believed it.